Choose the quietest practical position
Listen for traffic, fans, computer noise and room reflections before recording. Soft furnishings can reduce some reflections, although blankets and cushions are not a complete substitute for proper acoustic treatment.
Avoid placing the microphone directly against a bare wall or in a corner if the sound becomes boomy. Test a few positions and listen to the recordings rather than relying on appearance.
Keep microphone distance consistent
Use a pop filter and keep a stable distance from the microphone. Moving closer can increase bass through the proximity effect and make plosives more noticeable.
Angle the microphone slightly off-axis if harsh consonants or plosives are a problem. Make sure the performance remains comfortable and expressive.
Set recording levels safely
Record with enough headroom that the loudest phrases do not clip. Digital clipping cannot be fixed reliably by turning down the file afterwards.
Do not record too quietly just to avoid every peak. Aim for a healthy, clean signal and adjust the input gain while performing the loudest section.
Capture takes and organise them
Record several complete takes before spending too long editing individual words. Label the best takes and keep a copy of the raw recordings.
Mute distractions, silence notifications and record a short test first. A consistent routine helps you identify whether a problem comes from the room, the microphone or the performance.